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0201190241
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<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
020120
</DATE>
<TDATE>
Sunday, January 20, 2002
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
COM; CHOICES
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<PAGE>
1J
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<ILLUSTRATION>

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<CAPTION>

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<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

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<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 2002, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
IF N.Y. STATUE IS ALTERED, WHO WILL TELL MOMS?
</HEADLINE>
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<BODY>
Ionce wrote a book about five young basketball players, all of whom were
black. The book was purchased by Hollywood. They wanted to make a movie.

I flew out for a meeting, and over shared bottles of Evian water, one of the
female executives began gushing over the story, the way Hollywood executives
often do.

"There's just one little thing," she said. "Do you think we could make one of
the players white?"

I was tempted to say, "Sure, just tell me which one, so I can warn his mother
when the film comes out."

But I resisted. Some ideas are too dumb to bother with.

Another dumb idea surfaced last week. This one was to erect a statue outside
the Brooklyn fire department headquarters.

The proposed statue, commemorating the Sept. 11 attacks, was to be a 19-foot
bronze rendering of the now-famous photo depicting three firefighters as they
raised a flag above the Twin Towers rubble.

In the photo, all three firefighters are white -- which is not surprising,
since most of the Brooklyn fire department is white.

But the statue's benefactors -- like my Hollywood executive -- wanted to
change "just one little thing."

They wanted to make one firefighter black, one Hispanic, and leave the other
one white.

Uh-huh.



Effort is a noble concept

Now I understand the motivation. All races pitched in during the Sept. 11
crisis, and a statue honoring the unity of that effort is a noble concept.

Fine. Go ahead and build one. Start from scratch, come up with a concept, make
it anything you want.

But recasting a photo? That is political correctness taken to a ludicrous
degree, a blunder of a blinder, changing reality to fit a fantasy. Doing so
would show as much insensitivity as the problem its builders were trying to
correct.

Look, there is nothing wrong with three white firefighters raising a flag over
rubble. It happened. It was captured on film. It was an inspirational American
act, and I bet most black and Hispanic citizens felt a lump in their throats
when they saw it.

They didn't say, "Hey! Where's one of us?"

They didn't say, "There goes the white man, showing off again!"

To suggest that two of the three heroes need to be colorized is insulting to
the actual firefighters and insulting to the minorities you are trying to
include.

Everyone knows the truth. Who's kidding whom?



Compromise is in the works

Fortunately, late last week -- after an outcry from the photographer, the
families, fellow firefighters and the public -- the developer dropped his
plans. He said a compromise plan would be worked out. Maybe someone told him
starting a fight is not the best way to build a memorial.

Besides, the very presence of that statue would create a political irony too
pathetic to ignore. While the statue outside would symbolize a cozy, three-way
racial harmony, the actual firefighting force inside would still be anything
but.

Maybe someone wants to look into why Brooklyn, a borough that is 35 percent
black and 24 percent Hispanic, has a fire department that is nearly 95 percent
white.

That's a different cause for a different day.

Personally, I don't see the hurry to erect statues. They are still sifting
through the rubble of this tragedy. Families are still grieving.

Statues are designed to stand for decades. Their construction requires
thoughtful perspective. In many ways, we are still too wounded for that.

But we haven't lost our intelligence. In fact, I'm hoping we've grown up a bit
since last September and realized that bravery and heroism come in all shades
-- and that the only real colors that mattered Sept. 11 were red, white and
blue.

So I'm glad they dropped that idea. Colorizing real-life people is not a
practice we want to get into.

Besides, somebody was going to have to call their mothers.

And it wasn't going to be me.



Contact MITCH ALBOM at 313-223-4581 or  albom@freepress.com.
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THIS ELECTRONIC VERSION MAY DIFFER SLIGHTLY FROM THE PRINTED ARTICLE.
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