<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
8601310191
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
860711
</DATE>
<TDATE>
Friday, July 11, 1986
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1D
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1986, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
WE AGAIN MAKE OTHERS TIRED OF LOOKING AT U.S.
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
MOSCOW -- The flags came out. The cheer began. "U-S-A! U-S- A!" In hockey
we had done it.  On the track we had done it. In the ice rink we had done it.
Now it was women's basketball. The buzzer  sounded and Teresa Weatherspoon
threw the ball to the ceiling and jumped into a bouncing mob of teammates. The
Goodwill Games final was history, and it wasn't even close; 83-60.

  We had done it again.
  "Why does beating the  Soviets mean so much?" someone asked Anne Donovan,
the center on the U.S. team, as she waved an American flag.
  "I think it's international pride," she said. "That's what it all comes
down to."
  "Why does beating the  Soviets mean so much?" someone asked the team's
star, Cheryl Miller, who was wrapped in a flag, a la "Rocky IV."
  "The Soviets have been on top and  we were the underdog," she said. "It's
like good against bad."
  Right. We're the good and they're the bad. Except over here. Where they're
the good and we're the bad. On it goes. The good and the  bad.
  "Why does beating the  Soviets mean so much?" someone asked Kamie Ethridge,
the team's point guard, as she waved to the screaming section of red, white
and blue fans.
  "They think they're  the best and we think we're the best," she said. "We
proved it tonight."
Overtones are loud
  Well, yes, I suppose they did. You don't win by 23 points and leave much
doubt. The U.S. played great. But it was not an Olympic atmosphere.  It was
more like a high school state championship. The arena was small and you could
hear the coaches yelling in between baskets.
  But anytime the U.S. plays  the Soviet Union in anything, there are these
overtones. So when the game ended, the American reporters were scurrying
around for statistics. How long since the Soviets had lost? When was the last
time  they lost in Moscow? How good a story was this?
  If we heard  Soviet reporters salivating over such facts when America lost,
we'd mumble under our breath. "Propaganda," we'd say. 
  For us, it's  OK.
  "Why does beating the  Soviets mean so much?" someone asked Teresa Edwards,
the team's other starting guard.
  "They think they're tops; we think we're tops," she said. "We came to prove
ourselves."
  This is not new. Is it new? In politics it got cold in the '50s. In
basketball it got cold in 1972, when the U.S. men lost to the  Soviets in the
last second of the Olympic final. Don't you remember  that? It was
controversial. It was a tinder box. They cheated, we said. We'll show them.
  Since then almost every showdown has been a blood feud. In any sport. When
the  Soviets win, it's a blow for  communism. When the U.S. wins, it's a blow
against it.
  "Why does beating the Soviets mean so much?" someone asked Cynthia Cooper.
"When you play the USSR, you don't want to be second," she said.  "You want to
make sure you're No. 1."
U.S. causing  ill will?
  Now, don't take this the wrong way. But if I were Russian, Japanese or
Brazilian I think I'd be pretty tired of seeing American athletes  wrapped in
their flag, waving a "We're No. 1" finger at every television camera in sight.
What's Russian for "Rubbing it in?"
  Yes, we live in a flag decade. A patriotic decade. We send movie-screen
Rambos to save movie-screen POWs, and movie-screen boxers to beat up
movie-screen Soviets.  We sing songs about being born in America; we have
auto commercials that use it as a slogan.
  But there's  a difference between movies and real life. These are called
the Goodwill Games. But in four days here I've heard accusations of cheating,
accusations of blood-doping. I've heard Carl Lewis say he'd charter  a plane
if it would get him out a day sooner, and Steve Scott say he's not surprised
by "asinine" behavior from the Soviets.
  So where's the Goodwill? Not on their side, we say. But if we thought
about it, we might realize that draping ourselves in the flag and screaming
"U-S-A!" doesn't help matters much either.
  We don't think. We just do.
  And we had done it again.
  "Do you remember  that 1972 men's Olympic game?" someone asked Teresa
Weatherspoon as she smiled broadly, with her new gold medal around her neck.
  "Oh, yeah," she said. "I think that's where a lot of this American-Russian
rivalry started. I remember watching it. It had a big effect on me. It was
very inspirational."
  "How old were you then?" someone asked.
  "I was six," she said.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
COLUMN
</KEYWORDS>
</BODY.CONTENT>
