<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
8801310789
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
880717
</DATE>
<TDATE>
Sunday, July 17, 1988
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1E
</PAGE>
<ILLUSTRATION>
Photo Associated Press
</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1988, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
HOW I SURVIVED BULLS OF PAMPLONA
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
PAMPLONA, Spain --  They were running toward us, hundreds of men, their faces
filled with horror because the bulls were right behind them. I looked
anxiously at Pablo, my Spanish guide, whom I had  met just hours before in the
drunken streets of Pamplona. He had promised me, in broken English: "You run
with me, you no die."

  It was a comforting thought.

  And suddenly we took off. Somebody  screamed. A man next to me went down
and was trampled. I glanced to my right and saw a black bull just three feet
away. "This is it, this is it, this is it," I heard myself say. . . . 
  Nobody seems  to know how it started, this tradition of running with the
bulls through the streets of Pamplona. It has been going on 400 years, give or
take a few. Hemingway gave it a literary kiss in "The Sun Also  Rises," and
since then people have been coming here summer after summer. Thousands come
now, to test themselves, to look death in the eye, to measure their courage
against the mighty bull -- and to do  it all while they're so drunk that even
standing up is an accomplishment.
  Maybe we shouldn't call this a sport. After all, the whole run -- beginning
in narrow cobblestone streets and ending in Plaza  de Toros, or the bull ring
-- is only half a mile. Then again, I don't care if it's only 100 yards. Does
Carl Lewis run with a bull behind him?
  That is what brought me here in the first place.  I wanted a different
kind of sport. No cheerleaders. No money. Here, sometimes, people die. And the
game goes on  anyhow, eight mornings in a row, during the annual festival of
San Fermin. Only it's  really not a morning affair, it's an end-of-the-night
affair -- nights in which you drink and dance and sing and refuse to go to
sleep. Then, finally, at 8 a.m., you hop into Santo Domingo street on  the
wrong side of the wooden barricades, and realize, with that terrible thunder
of hoofs, that there are no exits, no way out, and you had better run like
hell and hope a bull doesn't find your rear  end too attractive.
  
So why did I want to do it? I don't know. Romance? Adventure? Besides, I was a
sports writer on vacation. Where was I supposed to go? Club Med? I wanted
action. I wanted to  see this colorful tradition up close. I also didn't want
to die. Which is where Pablo came in.
  I met him around 2 a.m. in the Plaza Del Castillo,  a huge open area where
tourists sleep when they  can't find a hotel. I had a hotel. Unfortunately, it
was 70 miles away, in the city of San Sebastian. I had driven my rented car
into Pamplona, parked on the sidewalk (everyone did it) and figured to  sleep
in the backseat until the sun woke me.
  Pablo negated that idea. A tall, dark-haired fellow with dangerous eyes,
he had lived in Pamplona all his life, and he knew this was his one week a
year  to grab some foreign intrigue. I was hanging out with some Americans
from Illinois, two of whom were women  who had just graduated college, and I'm
sure Pablo was more interested in them than he was  in showing me the secrets
of the Encierro de toros. But I persisted.
  "How long have you been running with the bulls?" I asked through a friend.
My Spanish isn't so hot.
  "Thirteen years."
  "That's a long time."
  "My father ran before me. My grandfather ran before him."
  And what happened to them? I wanted to ask. I didn't. Eventually, Pablo
agreed to take me on -- provided I  and my friends (and I think the emphasis
here was on the friends) stayed out drinking and singing and dancing with him
all night.
  He drove a tough bargain.
  
Now, I confess a certain fascination  with Spanish culture and bullfighting
literature. Although bullfights are truly disgusting, there is a passage about
a matador (I think it's either Hemingway or Jack Kerouac) that  I always
loved: "A young man leaned back in his chair. No bulls would die today."
  It is a strong image. No bulls would die today. I expected strong images
in Pamplona. And I found them. Unfortunately, many were throwing  up.
  There is social drinking. There is recreational drinking. And then there
is festival drinking. Take all the alcoholic consumption at your average Super
Bowl, Kentucky Derby and Mardi Gras, and  you've got an average night during
the festival of San Fermin. The bars do not close until the sun comes up, and
the natives don't worry about going to work the next day.
  Into this fray we fell,  behind Pablo, who seemed to know every joint in
town. On one thin cobblestone alley named Calle San Nicolas (I called it "Hell
Street"), there seemed to be a bar every three feet. People were hanging  out
the doors, out the windows, falling on top of each other. Music blared,
traditional Spanish songs mixed with Bruce Springsteen's "Tunnel of Love."
They danced on the bar. They danced on each other. They passed bottles of
sangria and beer and wine from mouth to mouth to mouth, until, I was
convinced, whatever disease anyone had in Pamplona, all had it now. The
streets were curb-high in bodies and  smashed glass. I saw a British girl cut
her foot on a broken bottle, then dip it, bleeding, into a large cup of beer.
The alcohol, she figured, would sterilize the wound. They call that the
emergency  ward in Pamplona.
  By 4 a.m. I was beginning to drag. But Pablo wanted to go on. He was
dressed in the traditional festival outfit: white shirt and pants with a red
sash belt and red scarf around  his neck. And he kept curling his thumb and
forefinger together, then bringing it to his lips. This, loosely translated,
meant: "Let's drink to your Uncle Morty."
  Which we did. Past 5 a.m. Past  6 a.m. What was I thinking during all
this? Don't lose your car keys. That's what I was thinking.
  
At 7 a.m. the sky turned a hazy blue. I pointed at my watch and Pablo finally
nodded. He ordered  a coffee from the barman (as if that would sober him up)
and spoke to me of the bulls we were about to face.
  "Stay near me," Pablo said.
  "Yes."
  "But do not push me."
  "No." 
  "Mucho  men is drunk," he said, making two fists and slapping them
together. "Bang, bang! They push you into bull. Very bad."
  Let's be clear just how dangerous this is. We're talking perhaps 3,000
people  in a street barely wide enough for a car, chased by six loose bulls
and four more tied together. The worst thing, Pablo said, was if one bull lost
sight of the others, because then he had no idea where  to go, and it was
likely he'd go after whoever attracted his attention.
  "The solo bull," he said, shaking his head,  which was sticky with
champagne, "muy malo. Very bad."
  It was 7:30. We left  the bar and began walking to where the bulls would
be set loose. Spectators were already six deep behind the wooden barricades.
  "Momento," Pablo said. He ran off to buy a newspaper. Now? A newspaper? 
  "Take it," he said, handing me half, then rolling it into a baton.
  "For what?" I asked. 
  He thrust his paper at an imaginary animal. He grinned. This, I learned,
was to be our sole weapon.  A rolled-up newspaper. The bull gets too wild, you
jab him with the sports section.
  And to think I went into journalism for the writing.
  
We gathered at the bottom of Santo Domingo street,  beneath a high brick wall.
Above us it seemed as if the entire town had come to the windows. People stood
atop buildings, on ledges. They were smart. Height meant safety. When was the
last time you saw a bull jump?
 In the middle of that brick wall was a small statue of Saint Fermin, the
patron saint of the Pamplona, surrounded by candles. At five minutes to eight,
Pablo and several dozen Spaniards began to sing to the statue. I guess it was
a prayer. I tried to follow. Saint Fermin is not part of my religion, but if
it kept me from two horns in my butt, I'd say anything.
  "SAN FERMIN DAH DOO  DOO . . .," they sang, or something like that. My
Spanish isn't so hot.
  "SAN FERMIN AH DOO HOO."
  After the final verse, they waved their newspapers three times and yelled,
"Hoy! Hoy! Hoy!"  Then the mood shifted. You could hear a nervous rumble among
the spectators. I would guess there were 10,000 people watching this thing,
along the Plaza Consistorial and Estafeta street and of course,  inside the
Plaza de Toros,  where it all ended. And we were in the thick of it.
  Pablo signaled that I should follow him, and we darted through the crowd,
past the wooden barricades and the police, who, I discovered, do not let you
out once the run is about to begin. Something about too much confusion.
Besides, what if a bull is on your tail? You want to bring him into the crowd?
No way. Those  people waited hours for those seats.
  We reached Pablo's favorite spot, about 200 meters from the gate. He
froze. A cannon shot exploded. Then another. A woman screamed. 
  The bulls were loose.
  
I would like to explain what happened next in flowing, lyrical prose. I really
would. However, I can best sum up the emotions this way:
  AH! MY GOD! OUT OF MY WAY!
  Smack! Someone went down.  Smack! Someone else went down. Pablo had bolted
into the street the moment we heard hoofs on the cobblestone, and already he
was 20 feet ahead. I charged to catch up with him, passing men who were
already  being trampled. Just then the bulls, big and angry, were right on my
heels. I leaped  to the side, then pulled even alongside a black one, his
eyes, thank God, focused straight ahead. Then a brown one,  then a spotted
one. Then a body, then a foot. Colors and shapes. Helter-skelter. It was kind
of like running between giant trucks on the interstate. "Don't push!" I kept
reminding myself. "Watch out  for stray bulls!"
  My heart was pounding. I saw feet and more feet, some alongside me, some
dangling above me, feet everywhere, and screams, yelps, and always the
undercurrent of the hoofs on the cobblestone, a devilish thunder. Two bulls
began to pull ahead of me and I saw Pablo with his newspaper on one of their
horns, taunting the animal, rubbing his sports section right on the deadly
point.  "Hay! Ha-eyy!" he screamed, as if to say, "What kind of bull are you?
Fight me! Gore me!" I realized right then that Pablo and I would probably not
keep in touch.
  And then, just as suddenly, it  was over. The bulls charged into the
stadium, where one of them wheeled on a Norwegian named Thomas Fraser and
stuck its horns in his guts, lifted him and tossed him 10 feet in the air.
Fraser landed  in the hospital, the first casualty of this year's encierro.
But it was a good run. No one died. You had to be happy with that.
  I found Pablo a few minutes later, among the dazed mob  that was already
heading home. He shrugged and said it wasn't his best effort, tomorrow would
be better. We slapped each other's back, glad to be alive, and he clasped two
hands beside his head and made a sleeping face.  I nodded. The night, indeed,
was over.
  And that was that. I found my car, eventually, and drove back toward  San
Sebastian. I lasted 20 miles before pulling off the road, too tired to
continue. Killing the engine, I yanked down the visor and let my eyes close,
happy in the knowledge that I had survived both the bulls and the sangria,
although the bulls would not be giving me a headache in a  few hours. 
  The sun was hot. I reached between my legs, found the seat release, and
pulled. A young man leaned back in his chair. No journalists would die today.
CUTLINE
A large fighting bull  charges among runners on its way to the bull ring.
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