<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
8702060533
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
870805
</DATE>
<TDATE>
Wednesday, August 05, 1987
</TDATE>
<EDITION>
METRO FINAL CHASER
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1D
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>
SEE ALSO STATE EDITION 1D
</MEMO>
<COPYRIGHT>
Copyright (c) 1987, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
JIM EISENREICH REVISITED STILL A HARD STORY TO TELL
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
I first encountered Jim Eisenreich three years ago in a Florida parking
lot. He was walking out after a spring training game, and I was sitting in my
car, waiting. I had driven 200 miles. I wanted  to interview him. But as he
passed, I just sat there. After a minute, I watched him drive away. 

  You're always a little nervous when you first interview somebody. But in
Eisenreich's case, it wasn't  my nerves I was worried about. For years, he had
been suffering from a disorder that  made him twitch and gasp for breath
uncontrollably. It happened during ball games. Sometimes he ran off the field,
scared, choking. No one was sure what it was, although certain doctors called
it "stage fright syndrome" because it tended to happen in the outfield and
among large crowds.

  Whatever it was, it  had clipped his baseball career each time he reached
the major leagues -- and Eisenreich belonged in the major leagues. He has
tremendous talent. Great power hitter. Good arm. But people had been cruel,
fans had heckled and laughed and doctors had made him feel like a freak. He
was trying a "final" comeback with Minnesota that spring of '84 -- after
failing in two previous seasons -- and, in that frozen moment in the parking
lot, I sensed my questions would only make things worse.
  So I said nothing. Later that season, Eisenreich's problem acted up again,
and in June  1984, he voluntarily retired  from the Twins and, ostensibly,
major league baseball.
  I had often wondered what he was doing. And this past winter I read of
his planned comeback with the Kansas City Royals. I made a few phone  calls.
Finally, in January, I went to visit him at his home in St. Cloud, Minn.
  We talked there for several hours. He said he had finally learned  what
the problem was: Tourette Syndrome, a neurological disorder that  causes
certain uncontrollable responses, such as twitching and barking sounds. He was
taking medication to keep it in check. He denied ever having "stage fright
syndrome" and expressed  anger at the Twins' doctors who diagnosed him that
way.
  He seemed a little uncomfortable with all my questions, but he answered
them. At times he even joked about it. By the end, we had a nice  rapport, and
I left there thinking I had met a man of remarkable courage.
Painting the whole picture
  Journalists are people, too. They prefer to be liked. But if they follow
the rules of their  job, that's not always easy. I would have liked to have
written Eisenreich's story without calling anyone else. I would have liked to
have written that in person he seemed like every other big league  player I've
ever interviewed.
  Neither would be accurate.
  So I called the Twins' doctor, Leonard Michienzi, who maintained that
Eisenreich does not suffer from Tourette, but is just using  that theory to
cope with his problem. And I included his opinion in the story. I also
included the fact that only one doctor (whose name Eisenreich couldn't
remember) had diagnosed him as having the  syndrome. I included impressions of
his behavior; his foot tapping; his voice, which was, at times, unsteady. And,
of course, I included a great deal of what Eisenreich himself had told me.
This is part  of painting the whole picture. It is what they teach you when
you get into this business.
  The article was very long. It concluded with the thought that Eisenreich
deserved a happy ending, but a  happy ending was not for sure. When it
appeared, in February, the reaction was considerable. Many readers were moved;
they wrote asking to get in touch with Eisenreich, and hoped he made the
Royals'  roster.
  And since then, he has. He was called up in June as a designated hitter.
He is doing OK (.219, three HRs), and while he does not yet play the outfield,
where his problems often occurred,  that may come in time. He has had no
troubles in two months.
  Which is great. I don't know for sure whether  Jim Eisenreich has
Tourette. I doubt anybody really does, including Eisenreich himself.  But he
is in the big leagues for now. He has  won a few games with his bat. Take that
for the wonderful news that it is.
Not a happy reunion
  So I called Eisenreich Tuesday morning at his hotel.  The Royals are in
town to play the Tigers, and this was the first time our paths had crossed
since January. I wanted to congratulate him.
  "Yeah, it's you," he said over the phone. He did not sound friendly.
  He said he hadn't liked the article, that it had upset his family. This
was not the first time an athlete has told me that. Journalism is not public
relations. But this was the last person I ever wanted to be unhappy.
  "What about it upset you?" I asked.
  He didn't have specifics. He remembered one part where I described him.
"You made me sound like a bum," he said.
  (I checked  the article. I wrote: "His face is unshaven, his eyes
sleepy-looking, his mouth a crooked line." That is precisely how he looked
that afternoon. Maybe I should have called him cheerful and apple-cheeked.
But that was not the way he appeared.)
  "That's really what bothered you?" I asked.
  He said I wrote he appeared "nervous." He did appear nervous. He was
fuzzy on other criticisms, but I imagine  some of his objections  lay in the
claims by the Twins' doctor, and my impressions that he was not a sure bet, no
matter how much I wanted him to be.  What could I say? Perhaps he thought,
because we  had gotten along, that I would simply write things the way he saw
them. But that is not my job.
  "All you guys just write what you want," he said. What we want? What I
really wanted was for him to  hit .400 and win the MVP. I have never felt more
for an athlete in my life. This was a guy who from age five had been teased,
hospitalized, insulted, and yet he rose to the top. Good for him.
  My  initial reaction was to tell him this, argue it out. I started to.
Then I thought about all he had already endured, and I felt as  I did in that
car three years ago -- as if  I never should have asked  anything.
  I apologized. Not for the words in  the article. But for the reaction they
brought him.
  "I really just called to say I'm glad you're in the majors, and I hope you
stay long enough  to make everybody forget the other stuff," I told him.
  "I'll never do that," he said quietly.
  We hung up. I have  re-read that article five times. There is nothing in
it that is false. Nothing  that I did not see or hear. But they are still my
words, my thoughts. About somebody else. Eisenreich is going to read them one
way. You another. Me another. It is the nature of this business. And I  cannot
describe, as I sit here and write this, how lousy I feel. A bum? My god. In
many ways, he is the biggest hero I've ever written about. 
  I don't know how to get that across to you, Jim. All  I know is this: You
want to tell the truth and you want to be somebody's friend. And sometimes
there's no way you can do both.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
COLUMN;REACTION;JIM EISENREICH;MITCH ALBOM;BIOGRAPHY;
CRITICISM; INTERVIEW
</KEYWORDS>
</BODY.CONTENT>
