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<UID>
8602090878
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
860906
</DATE>
<TDATE>
Saturday, September 06, 1986
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1D
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1986, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
LLOYD'S PERFECT MOMENT HAS AN IMPERFECT ENDING
</HEADLINE>
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</SUBHEAD>
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</CORRECTION>
<BODY>
NEW YORK -- It was a terribly perfect moment. Here was Billie Jean King,
her hair neatly coiffed, and Virginia Wade, with a long pearl necklace, and
Margaret Court and Tracy Austin and Althea Gibson  and Hana Mandlikova and
even Maria Bueno and Alice Marble -- 14 in all, huddled in the stadium's
concrete tunnel, a gang of ex-champions in pumps and pantsuits.

  Only one woman was missing.

  "Is  she coming?" an official asked.
  "Yeah, she's just cooling down for a minute," came the answer.
  The women talked softly amongst themselves, just inside the entrance to the
center court of Louis  Armstrong Stadium. This was the 100th anniversary of
women's singles at the U.S. Open, and these past champions had been asked to
come and take a bow in front of the crowd.
  Only one woman was missing.
  "We have to get started," the official said.
  "Go ahead," came the answer. "She'll be here."
  The announcer began his introductions, and one at a time, the former
champions filed out toward center  court, waving to the cheering crowd. It got
very noisy in the tunnel. And very crowded.  And then, when almost nobody was
looking, Chris Evert Lloyd walked up, still in her pink tennis dress and the
sweaty socks, and quietly took her place at the end of the line.
  Mandlikova turned and saw her and put a hand on her shoulder. Lloyd
shrugged. Ten minutes earlier she had been defeated by Helena  Sukova in the
Open's semifinals on this same stadium court.
  There would be no Saturday for Lloyd, no finals, not this summer. For the
first time in 14 years she would not see the glory round of either  the U.S.
Open or Wimbledon. She is 31 years old. She had to be thinking. This is how
quickly it can turn. One minute you're out there sweating, the next you're in
line with  the Once-Great.
  How terribly  perfect.
Generation gap closing
  "Are you OK?" asked Billie Jean King, laughing as she said it, because she
knew, of course, that Chris was both OK and awful. That's how it is when a
champion loses.
  "Yeah, I'm all right," answered Lloyd, forcing a thin-lipped smile, and
King scampered back to the front of the line to wait for her name to be
called.
  The match had been rough. Lloyd had been  soundly defeated in two sets,
6-2, 6-4. It took most observers by surprise, not only because Lloyd has won
the title here six times, but because she had beaten Sukova 14 straight times.
 And yet Friday,  Sukova looked mighty, and Lloyd looked old. The young Czech,
who stands 6-feet-2, was overpowering  with her serve, played smart at the net
and ran Chris ragged.
  "Are the younger players playing  you tougher now?" someone would ask Lloyd
later.
  "The gap is closing," she would say. 'It's getting closer and closer.
Players like Hana and Helena and Steffi Graf are not intimidated with me or
Martina (Navratilova) anymore. That's obvious."
  Back in line, Lloyd patted her hair and moved up slowly, her mind still on
the match. There was a point when it appeared savvy and experience would  once
again win it for Lloyd. She had lost the first set, but she knew Sukova had a
nervous streak, and leading 4-3 in the second set, Sukova double-faulted into
the net. That tied it at deuce. Nerves.  Lloyd could feel the nerves. If Lloyd
could hit the next two points, she would go up 5-3, break Sukova's serve and
be well-poised to win the second set. 
  Instead, she hit a feeble forehand  long  and lost that game, the next and
the next. That was it. She had been eliminated. No Saturday. Not this summer.
  "Forget it," Mandlikova whispered to her, as they moved up together in the
line.
  "Right," Lloyd whispered back.
A fixture is removed
  Chris Evert Lloyd is a fixture in this U.S. Open, a semifinalist for the
last 16 years. This is the only Grand Slam tournament on her home soil,  and
she wanted it terribly this year, because of her age, because of her injured
left knee -- which is casting shadows on her future -- and because she just
wants to win. She always wants to win.
  "Is this loss more significant than most others?" someone would ask her.
  "Well at 31, when I lose, everyone maybe thinks it's time for Chris to
retire," she would say. "But I have a much better perspective on losing now. .
. . I'm actually pretty upset, to tell you the truth."
  "Why?" someone would ask.
  "Why?" she would say. "Because I'm a competitor. Any competitor hates to
lose. I  mean, how else do you come back and win?"
  Back in the stadium, the announcer called out her credentials, her Grand
Slam wins, all her Open titles. She moved out toward the entrance. She was the
last  player called, and when the people saw her they began to cheer.
  "Chris Evert Lloyd . . . "
  She squeezed her eyes once, then walked out, her head high, and took her
place alongside Court and King  and Gibson, to the left of all that history,
and to the right of where her last shot had gone out against Sukova 15 minutes
earlier. A loser, but still a champion.  Terribly perfect. The whole thing.
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