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<BODY.CONTENT>
<UID>
8902050306
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
890906
</DATE>
<TDATE>
Wednesday, September 06, 1989
</TDATE>
<EDITION>
METRO EDITION
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1D
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>
SEE ALSO METRO FINAL EDITION 1D
</MEMO>
<COPYRIGHT>
Copyright (c) 1989, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
U. S. LOSES CHRISSIE
HUMOR AND STYLE: THE LADY STILL HAS THEM
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
NEW YORK --  It was all behind her now, the last match, the last press
conference, the last walk through the crowd as they sang her name and reached
to touch her. Chris Evert was alone with a friend  in the women's locker room,
dressing for the last time after 19 glorious summers of U.S. Open tennis.

  "I have an idea," she suddenly said to Ana Leaird, a high school classmate
who now serves as  PR director for womens' tennis. "Tell Andy I fainted."

  "No! Really?"
  "Yeah. Tell him I fainted."
  It would be a natural reaction, no? After all this? To faint? Hadn't she
just said good-bye  to the game she had dominated, molded, loved and honored
for the last two decades? Hadn't she suffered the whole continental press
corps just waiting to witness her final historical point? Wouldn't that be a
perfect reaction? To pass out?
  Leaird burst from the locker room.
  "Chrissie fainted!" she said, rushing up to Andy Mill, Chris's husband.
"She fainted."
  Mill moved quickly towards the  locker room door . . . 
  And out popped Evert, all smiles.
  Applause, please. The lady leaves 'em laughing. She was never much for
teardrops, anyhow. Emotion may be the fire of competition, but  ice was more
Chris Evert's game, icy stare, ice-cold concentration. That she was never
unkind to an opponent may be the greatest tribute we can pay her because,
given her competitive nature, she should  have been.
  Instead, she was the role model for a generation, she was, pardon the
expression, a gentleman athlete, fusing effort and grace, throw sneakers and
Emily Post in a bag and you get Christine  Marie Evert, queen of the courts,
America's prom date -- and there she was Tuesday, taking the hard serve of
young Zina Garrison and returning it into the net for her final point of Grand
Slam tennis.
  "GAME, SET MATCH . . . " the announcer began and the crowd rose to its feet
and began the farewell clap. Evert, 34, who had told the world weeks ago that
this would be her last Grand Slam tournament,  jogged forward and shook hands
with Garrison. No tears. Not for Chris, that is. 
  Zina would start crying in a minute.
  "Hey, I remember going up to Chris and asking for her autograph when I was
16," Garrison, 25, later explained. "I mean, this was really emotional."
  For everyone but Evert. She kept her cool by squeezing her lips into a
smile, then a grimace, then a smile again, the way she has done so many times
on the court. They were hoping for a storybook ending here in New York, they
were hoping that the Open, her tennis cradle when she was pigtailed and 16
years old, would somehow  serve as her last gold ribbon.
  She got pretty far. Reached the quarterfinals. And then the creak of age
arrived -- not in her knees but in her mind. "What happened today is the
reason I'm retiring,"  she said in the stuffed press room, after Garrison
ousted her, 7-6, 6-2. "I play a great match two days ago, and then I come out
flat for the next one. It's been happening to me all year. I can't sustain  my
intensity every single time out there. That's how I knew it was time to get
out."
  Trust her. She is showing characteristic wisdom, right to the end. How nice
to see a champion leaving when she  can still beat nearly everybody. What a
lovely shadow that throws over her career accomplishments: 18 Grand Slam
Championships -- seven French, six U.S. Opens, three Wimbledons and two
Australians. And  how many titles? One hundred and fifty seven? More tnan any
player ever -- male or female? You want to know how long Chris Evert has been
around? At this tournament alone she has defeated  78 different  opponents.
Can that be right? Can you even name half that many womens' tennis players?
  Sure, she will be remembered for the pigtails and the kisses with Jimmy
Connors and the curtsies at Wimbledon's  Centre Court and the marriage to a
handsome Brit and another to a handsome Olympic ski star, but mostly, Chris
Evert will be remembered for this:
  "Are you glad it's over?"
  "Well, I thought i  would be glad when it was over, but I'm not really
relieved now because of how I played two days ago. I mean, I thought I was
just starting to play the kind of tennis where I could challenge anybody  . .
. "
  She never gave up.
  She still doesn't.
  As Evert left the stadium, she was spotted by young fans milling around the
souvenir stands -- first one, then three, then dozens. Children.  In a gulp,
they were all around her. Some in sweatshirts, some in dresses.
  "Chrissie, over here!"
  "Chrissie, we love you!"
  "Chrissie! Chrissie!"
  Children. Less than half her age. Less  than a third her age. Here is Chris
Evert's legacy, the kids, the girls, especially, who now find it's OK to be a
female athlete, it's more than OK, it's cool, it's good, it can be done
without sacrificing  your personality, without turning into some lead- footed
monster. This is what Chris Evert leaves behind: An army of size 3 tennis
dresses, whacking the ball as if it were a pinata filled with candy.
  As she made her way out of the grounds, Evert passed her mother and father,
Colette and Jimmy, who started her playing on the public courts of Ft.
Lauderdale back in the 60's. They don't come up that  way much anymore, the
public courts. Mostly it's private lessons, live-away camps, personal
masseuses. One of the few players out there today from the public courts is
Garrison, the woman who sent Chris  packing. There's a nice symmetry there, I
think.
  "Excuse me," said a heavyset blond woman in an oversized pink sweatshirt.
"Are you Mrs. Evert? I just want to say thank you."
  "Oh," answered Chrissie's  mom. "What for?"
  "For doing such a wonderful job with your daughter. My daughter plays
tennis and I always taught her to act like Chrissie on the court. I'm proud to
say she had, and I just want  to thank you for that."
  Yeah. From all of us.
  For the record, the end came at 4:29 p.m. Tuesday afternoon. She wore a
striped turquoise jersey and blue skirt. SHe had a red tennis bag. She watched
 films the night before and said she was going out to dinner when she got
home. The trivia about Chris Evert's final Grand Salm match will go on for a
long time, but not as long as her memory. There were  a thousand quotes to
mark her departure and maybe none more curiously eloquent than 13 year-old
Jennifer Capriati, the budding star from Chris's hometown, who hugged the
former champion and, if she's  lucky, absorbed some of those magic vibes.
  "It was a bummer," Capriati said.
  Yeah, it was.
  Here's to her power, her style, her two-handed backhand, the way a bead of
sweat seemed to dance  down her temples, her victories, her defeats, her
wonderful wars with Navratilova, Graf, Austin, King, Stove, Goolagong,
Mandlikova, Shriver, Jaeger and Court -- and the way she was able to joke when
 it was all, finally, over. She said good-bye, fittingly, in Louis Armstrong
Stadium, named for a man who immortalized the following lyrics:
  Give me
  A kiss to build a dream on
  Applause, please.
  She gave us a lot more.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
MAJOR STORY;CHRIS EVERT;TENNIS;END;CAREER;BIOGRAPHY
</KEYWORDS>
</BODY.CONTENT>
