<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
8702140281
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
870918
</DATE>
<TDATE>
Friday, September 18, 1987
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1F
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1987, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
THE GREAT ROSARY MYSTERY . . . OR HOW I CAME TO PASS
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
I must say I feel pretty good this morning, considering I've been dead for
six months.

  How I came to pass is an unlikely story. It began a few days ago, when I
received a note from a reader  named Theda Everett. She wrote:

  "What is going on here? I just saw the movie 'The Rosary Murders' and in
one scene your name is listed in the obituary column. I was horrified and
upset  . . . Can  you share a story about it please?"
  Now, I had not seen "The Rosary Murders."  But, as far as I knew, I had
not missed my own funeral. Someone would have called me. Or sent me a bill. So
I showed  the letter to a few friends and we all laughed. I figured Theda
Everett was a nice woman with bad eyesight.
  Then I went to see "The Rosary Murders." It was filmed here in Detroit.
In one scene,  a priest, played by Donald Sutherland, searches through the
obituaries for clues to a murder. The camera closes in on the page. I watched
carefully.
  And suddenly, there it was! In a little box.ALBOM,  Mitch, February 23,
beloved hu--

  And then it was gone.
Sympathy from a friend

  Now, I know some movies try to be as realistic as possible. I read once
where the set for "All The President's  Men" duplicated the newsroom of the
Washington Post right down to the trash cans. So seeing my name in the
obituaries made me wonder. Maybe "The Rosary Murders" people knew something I
didn't.
  I  called my friend, Ken Droz, who works for Robert Solomon & Assoc.,
which handled the movie's publicity.
  "I'm dead," I told him.
  "Can I have your stereo system?" he asked.
  "I'm serious.  Check the film. February 23d. I've been dead since hockey
season."
  "Impossible. Only the good die young. Think back. What happened that day?"
  "I  . . . I  . . . can't remember." 
  So I  went to see "The Rosary Murders" again. This time I brought a pen
and paper. I jotted down as much of my obit as I could catch -- in the three
seconds it was on the screen. At that speed, I hadto sit  through the movie a
few times. Howmany times? Let's just say I can now tell youwho did it, and how
many teeth he's had capped.
  I can also tell you this: According to my "obituary," I was "beloved"  by
a wife named Carol, "adored" by two children named John and Martha (What was
the dog's name? George Washington?) and my funeral was somewhere on the east
side.
  And that was that. I had  . . .  expired.
  Now, this was a little upsetting, considering I paid for dinner last
night. How did it happen? Where did it happen? Obviously, I have been working
too hard. My marriage? I don't even remember  it. And my kids, John and
Martha? Poor things. I am certain I forgot their birthdays. I forgot their
births. Carol will kill me. Maybe she did. Everything is so fuzzy.
  I decided I needed more information  about my demise. So I called New Line
Cinema, in New York, which distributed the film. The man who answered sounded
confused, and asked if this matter could wait. I said I had waited long
enough. Six  months? I could start to smell pretty soon.
  "According to your movie, I'm dead," I said.
  "Oh," he said. "I see. Hold on."
  He came back a few minutes later.
  "I'm sorry. No one here  can help with that."
At least he apologized

  A few more phone calls yielded nothing. Just as a test, I tried to walk
through my office wall. As I was applying the ice bag to my nose, the phone
rang. It was the film's producer, Bobby Laurel, who comes from Detroit.
  "According to you, I'm dead!" I said.
  "I know," he answered.
  "You know? But why me? I was so  . . . young!"
  He apologized for not telling me sooner. He said when he and the crew
were putting together the mock obituaries, they needed more "A's," and
somebody suggested my name, because they were all sports  buffs, and had been
reading the Free Press sports section since they arrived in Detroit.
  "Was it something I wrote?" I asked Laurel.
  "No, no. They liked your column. That's why they suggested you."
  Great. What do they do to guys they don't like?
  "What did me in?" I asked Laurel. "Car crash? Bad ticker? And what about
John and Martha? They adored me, you know."
  Laurel said he  wasn't sure. The man who came up with that stuff was a set
designer in Los Angeles. I called his number several times. No answer. Just as
well. Can you imagine his shock at hearing my voice? It could  kill him.
  So anyhow, Theda, there is your story. Pretty weird, huh? And I would like
to tell you more, but I must go.  I have to watch my friend Ken bring the
stereo back to my house. He could use some help, but carrying heavy equipment
is such a strain.
  Especially for a man in my condition.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
HUMOR;ROSARY MURDERS;COLUMN;MOVIE;OBITUARY
</KEYWORDS>
</BODY.CONTENT>
