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<UID>
9301020417
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
930113
</DATE>
<TDATE>
Wednesday, January 13, 1993
</TDATE>
<EDITION>
METRO FINAL CHASER
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1C
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1993, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
DON'T BLAME VOSKUIL FOR GIVING IT A SHOT
</HEADLINE>
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</SUBHEAD>
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</CORRECTION>
<BODY>
James Voskuil pulled a crewneck sweater over his head and ran a fist
through his wet hair. He had thought about a quick exit after that last shot,
while the fans and reporters were still inside  and stunned. He had thought
about "just running up the tunnel and going straight out the door, into the
20- degree weather, going home." He laughed now at the thought. He didn't run
out the door, because  kids do that, and he is no longer a kid.

  He is a man, a young man who no doubt feels a little older this morning
because he spent the night seeing his quick jumper from the left baseline go
arching  toward the hoop, and he can still hear every voice in Crisler Arena
yelling, "Drop! Drop!" Only it didn't drop. It went off the rim, off several
players' hands. A desperation put-back was blocked, the  buzzer sounded, and
Michigan lost a one-point game for the first time in two years, 76-75, to
Indiana, and the Hoosier players did a dance at mid-court.

  Don't blame Voskuil. He was open. Hey, I give  the guy credit for taking
that shot at all, considering he'd been stuffed on a drive a minute earlier.
That happens to a lot of college players, they're done for the night.
  Instead, here was Voskuil  squaring up for the kill shot after Jalen Rose
found him in the corner. Rose had come upcourt, dribbled into the center,
looked over his more famous teammates, Chris Webber in the middle, Juwan
Howard  nearby, and he chose Voskuil. Was that the right call? Maybe. Maybe
not. But at that point the deal was done. Seven or eight seconds left on the
clock? Square up. Fire. That's what you do.
  "It felt  like it was good when it left my hands," Voskuil said. "It really
did." He looked for his shoes. He sat  in the chair and pulled them on. Most
of the lockers were empty now and the sounds of running  showers had long
since stopped. 
  "It shoulda gone in," he said, and then, as if remembering to dot an i,
he said, "shoulda, coulda, woulda. . . . "
  
Basketball as drama 
  
  Shoulda,  coulda, woulda. It's a shame that anyone has to go home feeling
less than satisfied after a night of basketball like this. Not Voskuil. Not
Webber, who is still wondering why he didn't get that put-back  in the air
before Alan Henderson swatted it away. 
  It's a shame because this was magnificent theater, a clash of styles that
somehow, in the collision, made each look better. Here was Michigan, in  its
trademark fashion, making slams inside, running the break, pumping itself
high on emotion after every highlight basket.
  And here was Indiana, whose team logo should be a chalkboard, running
screen upon screen, taking the shot clock down to single digits, finally
finding someone who would bury a long jump shot with perfect follow-through
form.
  "They're patient, that's for sure," said  Steve Fisher, whose troops had
not lost to a team other than Duke since March. "They'll wait until they have
the shot, and they hit some awfully big baskets tonight, even with hands in
their faces."
  True. You play this game on another night, Indiana may not shoot 55 percent
and go 7-of-17 on three-pointers. But you can bet, on another night, the
Hoosiers will still do what they do best, set screens,  box out for rebounds
and keep the ball away from the star opponents. Watching Indiana move without
the ball is almost as much fun as watching Michigan move with it.
  And yet, though the tendency is  always to say a disciplined "system" such
as Bobby Knight's will win over a more free- form style such as Michigan's,
don't forget this was a one- point game, that with an inch or two on a jump
shot, coulda, shoulda, woulda gone the other way.
  
Too much made of endings 
  
  As the reporters filed out of the locker room, Voskuil tugged on his green
coat. He talked about "not making a big deal  out of this." He, of course, is
right. And yet you had to feel for him. The last time Michigan lost by a
point, he was a sophomore and he was starting. Now he is a senior and has to
wait behind the most-celebrated  recruits since the Beatles accepted Ed
Sullivan's invitation.  
  He doesn't complain. He has adjusted his game. He plays smart most of the
time, and you take away his eight points, four rebounds and  three assists
Tuesday night, and you don't have to worry about who makes the last basket.
  "You know," Fisher said, eyeing Voskuil from across the room, "if that shot
had gone in, he'd still have  his uniform on and a mob of reporters around
him. It's not his  fault.  But we make so much of the endings."
  Too much. In this case, it was the meat of the game that was worth
remembering. And what  it showed us is this: The Hoosiers and Wolverines are
indeed what they are cracked up to be this season, and on a night when they
both play their best, the game will probably come down to something small.
Something small that, in the end, will look way too big.
  "This shot is not gonna kill me," Voskuil said, zipping on his jacket and
his bravest face. "I'm gonna get up in the morning, go to class,  come in here
tomorrow . . . 
  " . . . and work on the jumper."
  He'll be all right.
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