<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
9201090863
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
920311
</DATE>
<TDATE>
Wednesday, March 11, 1992
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1C
</PAGE>
<ILLUSTRATION>
Photo
</ILLUSTRATION>
<CAPTION>


:
Mike D'Antoni
</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>
BASKETBALL ITALIAN STYLE
</MEMO>
<COPYRIGHT>
Copyright (c) 1992, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
COLLEGE ATMOSPHERE LOST ON MOST IMPORTS
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
CHAPTER 3. Sopportare. 1. To endure.

 
MILAN, Italy --  With Rick Mahorn's farewell words ringing in my ears --
"Have a nice trip, bleepface!" -- I journey up the autostrasse to Milan. I am
thinking  about potato chips.
  I can't imagine quitting a job over potato chips. But that supposedly was
why one American basketball player left Italy, said arrivederci, baby, went
home. Didn't like the chips.  I guess the squid really would have sent him
packing.
  But that story doesn't surprise me. For all the money they can make -- and
for the enviable task of playing one game a week -- a lot of former  NBAers do
not last in the Land of Pasta. Too spoiled. Too unwilling to play against zone
defenses. Whatever. Artis Gilmore came and went. Dan Roundfield came and went.
Danny Ferry -- who was a mediocre  player here -- came and went.
  And then there are the ones who stay.
  I am looking at one right now. He is courtside in a massive place called the
Forum, home of Phillips Milan, a team once known  as the Boston Celtics of
Italy, and he is clapping his hands and yelling plays. He wears a loose
sweatshirt and a mustache and boyishly cut hair. He yells to his team -- eight
Italians and two Americans,  including former Piston Darryl Dawkins -- in two
languages. "Si!" Then, "Let's go!"
  And I'm thinking, "I gotta get this guy to order for me in the
restaurant."
  His name is Mike D'Antoni, and  you probably never heard of him. He played
at Marshall, went to the NBA in 1973, lasted three seasons, then got this call
from Italy. Back then, the league rule was that Italian-Americans such as
D'Antoni  didn't count as "foreigners," which allowed teams to acquire U.S.
players without using their foreign-player limit.
  So never mind that D'Antoni, a point guard, was about as Italian as the
average  kid in West Virginia, where he grew up. "I'm a hillbilly," he jokes.
They offered him $30,000 and a place to live -- unlike the millions they give
now -- and he said, what the heck?
  Before he knew  it, he was a star.
A clash of cultures
  "To be truly happy here, you have to learn the language," he tells me after
practice, "and a lot of guys coming over now don't want to do that. They miss
the  jokes in the dressing room, they miss the camaraderie of team meals and
bus rides. It's like a college atmosphere over here, and that's the best part.
But if you're sitting there with your headphones  on, it gets old fast."
  I think back over the last few days, to Adrian Dantley, moaning about the
practices, and Mahorn, bitching about the food, and Kelly Tripucka, another
former Piston who was playing in France and reportedly hated being overseas.
All he did was buy USA Today and watch European satellite TV.
  Then I think about the treasures here, the art, the language, the sauces on
the  pasta, and I say to myself: "Are they nuts? I'd take this gig for
nothing!"
  D'Antoni confirms that. He played 13 years here.  Got famous. Taught
himself the language, saw every country in Europe,  and had a hell of a time.
  Never bitched about the chips, either.
When the game isn't fantastic
  I ask D'Antoni the biggest difference between the Italian League and the
NBA -- besides Dennis  Rodman's haircut -- and he says, "The pressure here is
different, because if you have a really bad year, your team falls into a lower
league and it may take years before you win your way back up. That  can ruin
some franchises.
  "And then, of course, there's the fans . . ."
  He recalls one time when his Milan team -- with Americans Bob McAdoo and
Albert King -- won the league championship down in Livorno, on a controversial
last-second shot. The fans went so crazy, "we had to hide in the dressing room
for hours. They busted a window and hollered, 'We want that guy!' They finally
had to take  us away in police paddy wagons, and even then, the fans threw
bricks at us."
  Behavior has since improved -- could be worse, could be British soccer
fans -- but you still feel the heat if the fans don't like you. They spit.
They throw pennies. Italians have high standards for NBA imports. They have an
expression that goes: "Does he play for the heart or for the coin?" 
  Personally, I'd rather  play for the former than get hit by the latter.
  But if you play hard, they love you, and you can last a long time. D'Antoni
finally retired two years ago, and he is now the coach of his old team.  When
I ask him about coaching Dawkins -- something Chuck Daly tried briefly -- he
laughs and rolls his eyes, which may mean that he needs to learn a third
language, whatever they speak on Lovetron.
  Then I ask about McAdoo, who was really the first of the big-name NBA stars
to go Italian. "It's too bad about Bob," D'Antoni said. "They loved him here
in Milan, but his rights were sold and now he's  stuck in this small town with
a really bad team . . ."
  By nightfall, I am on my way there.
 
TOMORROW: McChanges.
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<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
BASKETBALL; ITALY
</KEYWORDS>
</BODY.CONTENT>
