<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
9401100828
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
940320
</DATE>
<TDATE>
Sunday, March 20, 1994
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
COM
</SECTION>
<PAGE>
1F
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1994, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
ACADEMY HONORS THE WRONG PEOPLE
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
I'm . . . putting on my top hat, brushing up my bow tie . . . 

  And working on my speech. 

  This is the year I win an Oscar.
  "I would like to thank the members of the Academy," I will say, "for
recognizing my achievements  . . ."
  I do not act. I do not shout or cry, at least until the electric bill
comes.
  I do not dress like Batman.
  ". . . it's true, I've done a lot over  the years, and it's nice that the
Academy has recognized my efforts . . ."
  I am not a famous face. I do not yell "Cut!" I do not do nude scenes with
strangers, although, to be honest, I'm waiting to be asked.
  ". . . for me it began years ago, in a small suburban movie theater  . . ."
  I will win an Oscar anyhow.
  ". . . when I paid $3  to see 'My Fair Lady' . . ."
  I deserve one.  
  ". . . and then came the Disney films, every one of them, 'Pinochio,'
'Sleeping Beauty,' 'Mary Poppins' . . ." 
  I really do.
  ". . . and then came drive-ins, where, week after week, I paid  for two
tickets and, to this day, have no idea what films I saw  . . ."
  My shoes are shined. My limo is waiting. I am confident, because the Oscar
is supposed to show appreciation within the film  industry. And who makes the
film industry what it is?
  I do. Every time I plunk down $7  to watch Steven Seagal kick someone in
the head.
  ". . . and then came the Rocky movies, II, III, IV, V . . ."
Anyone can act 
  Haven't they been giving those statuettes to the wrong people? Doesn't it
seems awfully indulgent that, year after year, they take three hours of
prime-time TV to hand out awards to actors and directors and Best Foreign
Sound Adaptation in a  Documentary About Plants --  when it is us, the
moviegoers, who pay the freight, endure those endless previews, the stale
candy,  the nuclear-sized Diet Cokes --  only to watch Chevy Chase?
  We drive through rain and snow, park six miles away, stand on huge,
non-moving lines, while someone named Missy, whose biggest accomplishment  to
date was a "B" on her math test, tries to figure out why the butter machine
doesn't work. 
  Then we hand her $70 for junk food.
  To watch Pauly Shore in "Son-in-Law"?
  We do all this work,  and they give out awards to one another? And we
watch? That's like being passed over for a promotion, and offering to bake a
cake for the new guy's party.
  Does the word "sucker" mean anything to  you?
  "Furthermore, I would like to say that the Karate Kid movies were
particularly trying, and I look at them, and sitting through "Flashdance," as
two of my biggest achievements . . ."
  Think  about it. When most businesses give out appreciation awards, they
give them to their best clients, "the people, without whom, our business would
not succeed."
  That's us, isn't it? The audience?  Aren't we the difference between
success and failure?
  After all, anyone can act. Anyone can have an agent, a masseuse,  and
Lakers tickets.
  How many people will plunk down seven bucks to watch "Weekend at Bernie's
III"?
  Huh? Huh?
  ". . . and then came the time I sat in a wad of bubble gum, and the usher
conked me on the head with his flashlight  . . ."
It's not easy for fans 
  It's  not as if life has gotten easier at the theaters. The prices are now
high enough to support a small family, the screens keep shrinking, and the
multiplexes now sell road maps.
  We get commercials  to start films, followed by these ridiculously overdone
cartoons and shorts that tell us why we should never, ever, even think about
talking, chewing, or actually breathing during a movie.
  (These  shorts are directed, no doubt, by film school grads unable to get
work on a real project, such as "Porky's V.")
  And then -- after 10 minutes of credits -- the movie actually starts.
  And it has  Madonna in it.
  ". . . so for all we have endured, I want to thank the little people, like
the babysitter who only earns $20 a night . . ."
  Yes, sir. My tux is pressed. My cuff links are in place.  I have sent a
message to have Cher meet me at the door. 
  This is my year. I've waited a long time.
  ". . . in conclusion, I would like to say that Tim Burton needs serious
medical attention, and  this Johnny Depp guy, who's his barber? . . ."
  By the way, you ask, what about the actors and actresses? What about the
directors, the writers, the producers, the best boys? Don't they deserve
something?
  Of course. When they make 25 films, give them each a gold watch and say
"Thanks."
  It works for the rest of the world.
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<DISCLAIMER>

</DISCLAIMER>
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