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<BODY.CONTENT>
<UID>
9002030906
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
900909
</DATE>
<TDATE>
Sunday, September 09, 1990
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
COM
</SECTION>
<PAGE>
1F
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1990, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
THE BIG APPLE GLOWS BLOOD RED
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
NEW YORK --  I went to see Brian Watkins' deathbed. His mattress was concrete.
His sheets were silver gum wrappers. All that remained was a splotch of blood
on the bottom step near the token booth,  where he collapsed Sunday night
chasing the strangers who put a knife in his chest because they needed money
to go dancing.

  "Mire," said a fat man in Spanish, pointing out the whole thing to a
friend.  He pointed to the D train platform, where the knife was first pulled,
and he pointed to where the Watkins family, visitors from Utah, saw their
peaceful life turn to horror. They had spent the day at  the U.S. Open,
mother, father, two brothers, brother's wife. They loved tennis and it was
10:20 p.m., and now they were going for something to eat.

  And then, suddenly, here were these horrible kids  flying down the steps
and grabbing at them and slashing the father's leg and grabbing his wallet,
and the mother screamed and they punched her face. Brian, the son,
instinctively said, "They can't do  that" and lunged for them, and it was
welcome to New York City. A "butterfly" knife -- four-inch blade, maybe it
cost $20 on 42nd Street -- went into his chest. 
  And still he chased them. He and  his brother, they chased after these
wild kids who had punched their mother, up one flight of steps, across a
platform, another flight of steps, they ran, the blood spitting out of Brian,
until the wild  kids were gone and Brian couldn't stand up anymore. He fell at
the foot of a big wall poster of "Cats," now showing at the Winter Garden
Theater.
  "Mire," the man said again, pointing now at the  blood stain on the filthy
concrete. He and his friend shook their heads and the friend said, "Ooo-eey." 
 City from hell 
  I shivered. I know this subway station. Back when I lived in this city,
it was my stop, 53rd Street and 7th Avenue, I rode the subway here every day,
ignoring the danger, hoping, like thousands of others, that these trains would
carry me to some exhilarating life, a flashy  career, the stuff that leads
people to New York in the first place.
  The stuff that led Brian Watkins here. He dreamed of being a pro tennis
player; it lured him every summer. His family would get  tickets to the Open
and Brian would watch and recall how he had been a state high school champion
in Utah. And although he was 22, he still thought, "If I keep training, with a
little luck. . . ."
  But New York is no place for luck, it is a city from hell, a city where
they shoot you for breathing, for turning a corner, a city where a gang of
19-year-olds wants to go dancing so they leave the  house with no money
figuring to pick some up from the nearest available victims. They even have a
name for this. They call it "getting paid." 
  Brian Watkins paid. And his family will never stop  paying. Every
vacation, every tennis tournament, things they once loved will now be full of
tears, and the mother will always wonder, "What if I didn't scream?" And the
father will always wonder, "If  only I had jumped in. . . ." Eight strangers
caused these nightmares. Five of them were arrested after the stabbing at
Roseland Dance Hall. They were dancing at street level as Brian Watkins died
in  the subway. They were dancing on his grave.
 Legacy of fear 
  What have we come to? What kind of place is this where the victims don't
know the killers and the killers don't care. You could be a  priest, you could
be a grandmother, you got a couple dollars, down you go. Sports writers in New
York boast of their tennis tournament's gutsy atmosphere, the noise, the heat,
the tough crowd, the legacy,  but this is part of the legacy now too: Family
from Utah loses son in subway. Attend U.S. Open at your own risk.
  The tennis goes on. The crowds ride the subway. But they look over their
shoulders  now and see Brian Watkins' ghost, the ghost of random violence,
crime without provocation. It can hit anyone, any time, sports lovers,
innocent people, and so it is chilling, the breath of fear. It is  what New
York City is all about these days.
  Down in the 53rd Street station, a transit worker ripped the "Cats" poster
off the wall. I asked if he had been here Sunday night. "I don't work
weekends," he said, and moved the bucket closer to Brian Watkins' deathbed.
You wonder how much time the killer will get for this one.
  As they shipped the body back to Utah, a police spokesman said Watkins
"did what every red-blooded American hopes he has the courage to do." But all
that is left of the red-blooded American is red blood, dried and fading on the
subway steps. A kid who came to see tennis.  Since when did you need courage
to do that?
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