<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
9102060746
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
911001
</DATE>
<TDATE>
Tuesday, October 01, 1991
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
SPT
</SECTION>
<PAGE>
1C
</PAGE>
<ILLUSTRATION>
Photo Color JULIAN H. GONZALEZ;PATRICIA BECK
</ILLUSTRATION>
<CAPTION>


:
A view to savor: Ernie Harwell and Paul Carey relax in the
booth Monday before their  final broadcast from Tiger Stadium.
Ernie Harwell, always a fan favorite, signs autographs for
Chris Rice, 7, of Sterling Heights and Guy Hardin, 7, of Warren
after Sunday's game.
Ernie Harwell chats  with Boston pitcher Roger Clemens in
Lakeland this spring.
</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>
SEE ALSO METRO EDITION, Page 1C;SPECIAL SECTION
</MEMO>
<COPYRIGHT>
Copyright (c) 1991, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
LONG GONE
GOOD-BYES ARE NEVER EASY . . .
FOR THE VOICE, OR FOR HIS LISTENERS
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>
CORRECTION RAN October 2, 1991

getting it straight

* A picture caption on the Tuesday Sports front page
incorrectly identified two youngsters getting an
autograph from Ernie Harwell. The boys were Sterling
Heights 10-year-olds Brian Koury and Scott Opaelwski.

</CORRECTION>
<BODY>
On the morning of the last day of the best days of his life, Ernie
Harwell got up and put a cassette into the small recorder he had plugged in
under the sink. "This is Sammy Fain singing," he said.  The recorder spit out
scratchy sounds of an old man and a piano, a ballad, a pretty melody.
We came together young and strong
 
  The summer smiled and touched us with a song
  for that one summer
  that one sweet summer
  It was a song Harwell had written, years ago, in happier times, when there
was no end to his rainbow, and no one was telling him Monday would be his last
day broadcasting  from Tiger Stadium, whether he liked it or not. Harwell has
always been a songwriter, back to the time when he was calling home runs for
Jackie Robinson's Brooklyn Dodgers, and in the later years he  kept his tapes
and sheet music in the booth, just in case. "One time, these two fellows,
Homer and Jethro, they were a singing act, they came in before a game, and I
played them a song and they said,  'Hey, we like it. We'll use it on our next
album.' And they did. That's how I got my first song recorded."
  He smiled at that memory and walked stiffly to his guest, holding his
back, a reminder  of all those years in the booth, the hard chair with no
cushion. Carpenters get wobbly knees. Coal miners get dust in the lung. Guys
in the booth get bad backs. Price you pay.
  Ernie Harwell would  have paid it longer, if they let him. Instead, he sat
in the small living room in the house on Witherspoon Street, a house that
still has no answering machines and no stereo system, just transistor radios,
everywhere you look, on the couch, on the kitchen counter, on the hall table,
transistor radios and Bibles, a book of Psalms, a book of hymns. Here, between
the word of God and the sound of the radio,  Ernie Harwell awaited the
good-bye hour. His last game at Tiger Stadium. Outside the weather was autumn,
and through the white curtains he could see his wife, Lulu, picking flowers
from the garden.
  "I've prepared something to say tonight," Harwell said, holding up a piece
of Detroit Tigers stationery. "I wrote it out a few days ago. I figured since
the stadium has been such a part of my life,  maybe I should say something."
  He handed over the paper, creased in half. The typing was like that of a
college student. A few misspellings. Some ink notes on the side. It was
probably the millionth  note he had written himself to say on the air -- hello
to a fan in Alpena, a reminder that Picture Day was coming up, good seats
still available, the batting average of some broad-shouldered rookie who  just
got off the bus and was now at home plate.
  "Good-byes are never easy  . . . " the paper began.
Packing his bags
  Good-byes are never easy. Especially when they aren't necessary. Ernie
Harwell needs to leave Detroit the way we need a tax on breathing.  But leave
he will. After 32 seasons on the job -- and nearly 50 in the business -- the
club and the radio station no longer want him.  This was a bombshell last
December. Now it is something worse; a dull pain too draining to fight. The
protests have been ignored. The club is auditioning new announcers. And the
voice of baseball packs his bag. You say to yourself, if they can make Ernie
Harwell leave, they can do anything to anybody.
  "Here we go," he said now, getting into the car for that last ride to the
stadium, wearing a  blue overcoat and his trademark beret, which always made
him look more like a French professor than a booth man. Thirty-one years ago,
on a warm day much like this one, he left the lobby of the Book  Cadillac
hotel in downtown Detroit and walked to Tiger Stadium, his first home game as
the new announcer.  He made his way down Michigan Avenue, past a place called
The Crow Bar and past the down-and-out  people who would ask him for a dime.
He got behind the microphone and began to immortalize names such as Cash and
Colavito and Kaline. In the years to come, there would be Lolich, McLain,
Fidrych, Gibson,  Trammell, Whitaker, Fielder.
  Now he drives to work, staring at the landscape that has collapsed during
his time.  The Crow Bar is gone and the Book Cadillac hotel is gone.  The
down-and-out people  are still there.  They ask for a dollar now.
  "What will you remember most about the booth at Tiger Stadium?" Harwell
was asked.
  "Well," he said in that rich baritone, "the booth we're in now  is not the
one we started in. The one we started in was on the first-base side, and you
had to climb down into it, like a submarine. It even had a hatch on top, and
you would climb down the ladder to  get in.
  "One time, the mayor of Pinconning stopped by to see us and he brought a
present, a big round of cheese, Pinconning cheese, oh, it was so big, maybe 50
pounds. But the problem was, the mayor  was a little, shall we say,
inebriated. And when he lowered himself down the hatch, he lost his grip on
the cheese and it rolled down this slanted roof and over the edge and landed
in the seats."
  He chuckled. "That booth wasn't for everybody."
  No. Only for those who wanted to rub elbows with baseball history. Milton
Berle once came to that booth, and Bob Hope came, too, sliding down the  hatch
to talk with Ernie Harwell. Jerry Vale. The Peach Queen of Romeo. Every
senator and congressman you can think of.
  "Each game, around the third inning, someone would come by with a bag of
cold  hot dogs and warm Coke, and they would lower it down the hatch," Harwell
recalled. "That was our dinner. Back then, the Tigers didn't even allow the
announcers to eat with them in the food room."
  So you can see where the tradition began.
Charting your life
  Now Harwell was walking up the steps in the empty stadium, a walk he has
taken every game day for the last 32 seasons. "It's easier  if you just use
one foot per step," he said over his shoulder, like a kid explaining
hopscotch. "You're less tired when you reach the top."
  At 73 years old, he reached the top with barely an extra breath. He turned
and headed for the booth, walking along the blue girders and grimy cement
passageways that make up this marvelously decaying ballpark. Two teenagers are
waiting for him already, holding  baseballs.
  "Mr. Harwell, will you sign this?"
  "Why, sure."
  "Can you put 'Ernie Harwell, Final Broadcast, 9/30/91?"'
  "All right."
  When he handed over the signed balls, the kids  thanked him, then ran
away, waving their fists in a collective "ALL RIGHT!" like two guys who just
found a winning lottery ticket. Maybe to someone reading this from afar, the
fuss seems strange. An  announcer? All this for an announcer?
  To understand, you must first understand a summer night on Lake
Charlevoix, or a traffic jam on the Lodge Freeway, or a clock radio in your
bedroom when you're  too sick to go to school but there's a day game on and
you turn the knob and there it is, that voice, genteel and comforting, a trace
of Georgia accent. "The Tigahs," it says. "IT'S LONNNG GONE!" it says.
"Strike three  . . . he stood there like a house by the side of the road."
  Call it age. Call it nostalgia. But you have fathers here who remember
that voice in 1968, the afternoon McLain  won his 30th -- "HERE COMES McLAIN
RUNNING OUT OF THE DUGOUT" -- and you have sons who remember that voice in
1984, the night Kirk Gibson turned October into madness  -- "IT'S GOING, IT'S
LONG GONE,  A HOME RUN!"
  Fathers. Sons. Mothers. Grandmothers. Can't everyone here remember
something or someplace where that voice was in the background? In this part of
the country, Ernie Harwell is the growth  chart on the kitchen wall. You stand
up against him and you chart your life.
'I think I'll survive it'
  It was 7 p.m. now and photographers were crammed inside the booth. A local
TV anchor requested  a few minutes. Out on the field, a guy named Bob Taylor,
who has sung the national anthem here for years, was about to dedicate this
last one to Ernie and Paul Carey.
  Harwell had his jacket off  and his tie loose, hot from all the visitors.
Many of them looked around, this being their first time inside the booth. So
this is where he does his stuff, huh? It hardly seemed worthy. A cramped metal
 room with a dropped ceiling, bare walls, a beige Formica table top that holds
two microphones: Ernie Harwell, Paul Carey. There is a naked light bulb taped
to the table with black electrical tape. It  tells them when they are on the
air.
  "Has it been tough for you, Ernie?" the anchor asked.
  "A little bit tough. But the affection of these fans has made it much
easier to bear."
  "Will  you savor this final game or survive it?"
  A laugh. "I think I'll survive it."
  To the end, he refused to bad-mouth anyone. Not the radio station that
turned its back on him. Not the front office  that begrudgingly gave him a day
in his honor, then sent nobody important from its staff. "The only regret I
have," Harwell said, "is that we're not ending with friendly feelings. I'm not
comfortable  with people being upset or unfriendly."  Now the booth began to
clear and he took his seat again, next to Carey, who also is leaving after
this season. When the little light bulb flickered on, they  began.
  "This is kind of a special night for both of us," Carey said, "because
it's our last broadcast at Tiger Stadium. . . ."
  "Thank you, Paul," Harwell said, "and it's great to be with you  for all
these years and great to be in this old ballpark. . . ."
  The place was nearly empty. A breeze blew through the seats. In the
seventh inning, the small crowd would rise, turn to the booth,  and begin to
clap. There should have been a sellout, of course. There should have been
50,000 people inside, and 50,000 more outside, on their feet, in a salute. But
the club didn't care and it was Monday  night and the Tigers were out of it,
and, hey, life goes on.
  But it doesn't go on, not the same way, not this morning. You can go to
work, you can eat in the restaurant, you can check your bank  account and see
that everything is still there. But if you live around here and you love
baseball, a piece of you was just waved out of town, and come next March, when
the first game from spring training  is called, you'll feel it.
  I will feel it sooner. I was the one in the living room Monday morning. As
I write this, I can hear old Sammy Fain, playing the piano and crooning, from
that little tape recorder, the words Ernie Harwell wrote in a happier time:
  Let autumn come on distant wind
  I'll treasure still
  the time you called me friend
  for that one summer
  that one sweet  summer
 
  The man in the booth is gone.
  Tiger Stadium just lost the best friend it ever had.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
ERNIE HARWELL; BROADCASTER; EMPLOYMENT; CAREER; END; PAUL CAREY
</KEYWORDS>
</BODY.CONTENT>
