<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
9601230389
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
960721
</DATE>
<TDATE>
Sunday, July 21, 1996
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
COM
</SECTION>
<PAGE>
1F
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1996, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
OLYMPICS BRING OUT THE BEST OF OUR WORLDS
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
ATLANTA --  You take an idea. Get everyone in the world together, in one
place, at one time, under one flag, for one cause. It is preposterous. It is
unfathomable. But you circle it and you study it  and you begin to chip away,
like a sculptor on a mountain of granite.

  And soon others join in, and others help out, and the word spreads and the
work grows and soon it is more than one person chipping  away, it is hundreds,
then thousands, a shared dream that nobody thinks is so crazy anymore. The
distances shrink, the mountain gets smaller, the impossible becomes possible,
it begins to take shape.

  And next thing you know, the music swells, the fireworks explode into a
summer sky, and the gates are opened to a parade of nations, in coats and
dresses and shawls and hats and robes and skirts and  caftans and turbans --
the entire world is in one place. 
  You take an idea.
  The opening ceremonies of the Olympic Games on Friday night were enough to
make you shiver. Not because of the majesty  of the music, or the coordination
of the thousands of dancers, acrobats, musicians, cheerleaders, clompers,
stompers and pickup trucks. Not because of the giant silk screens that
silhouetted the figures  of athletes representing the ancient Greeks, not
because of the trumpeters blowing the Olympic fanfare, or Gladys Knight
belting out a soulful rendition of "Georgia."
  It wasn't the innocent faces  of Atlanta schoolchildren as they raced along
the floor of the Olympic Stadium, dressed in white costumes, creating, from
above, the vision of a giant dove flapping its wings. It wasn't the gospel
group that sang "Welcome to the World" or the hundreds of Atlanta volunteers
who spelled out a message that was beamed to the world: "HOW Y'ALL DOIN!"
  What made you shiver -- what made even the most cynical  of viewers drop
the emotion, just for a moment -- was the proof, the undeniable evidence, that
all this was possible, that for no other reason than to play together for a
few weeks, in peace and celebration,  the world could be as one.
  You take an idea.
Tragedy off Long Island
  Then you take another idea. That people are expendable. That death is just
a side effect. That lives do not matter. That  killing is OK.
  And so, even as the Olympic ceremonies played out under warm Southern
skies, divers searched the murky waters north off Long Island, searching for
bodies, searching for charred wreckage, searching for answers to why a TWA
plane fell from the sky just 31 minutes into its trip from New York to Paris.
  And what made you shiver here was the notion that perhaps someone did this
on purpose,  that someone planted a bomb or -- even more incredibly -- shot
something from the surface and blew the plane from the sky. While none of this
was confirmed, the ideas were being investigated, the evidence  being examined
by FBI and bomb terrorism experts, and the fact that it was even possible, the
fact that things like this had happened before, was enough to scare you out of
your skin.
  You take the  two ideas. How could one world have produced both? How could
one part of the planet think it was time to come together and play, while
another part thought it was time to kill?
The meaning of life
  The answer is what a wise man I once knew called "the tension of
opposites." It is how the same chord can be played right-side-up and
upside-down. It is how an Honduran boxer can march around the Olympic  Stadium
holding his country's flag as if it were the greatest honor a man could
achieve, and two minutes later, basketball big mouth Charles Barkley
embarrassed his country by telling a TV camera how  he's ready to punch a
foreign opponent if it means winning.
  It is how Serbs and Croats can agree to unite in an Olympic arena, even as
they war against each other in their homelands.
  It is how  someone here will steal a wallet from a stranger's pocket, and
in the same hour, someone else will take money from his pocket and give it to
a homeless stranger.
  What do you do with all these mixed  signals? How can you determine which
world is really ours?
  You can't. This is your only option: to see the world as half-full or
half-empty. To remember the images of dead bodies being pulled from  bomb
wreckage in Oklahoma City, Saudi Arabia, and who knows, maybe Long Island, a
vision of the horrible, and say this is who we are, or to focus instead on a
planet's worth of athletes in one stadium  on one summer night, a vision of
the possible. This is who we are, too.
  The tension of opposites. You take an idea, and you run with it. Which way
you run will determine the future.
  Mitch Albom's  radio show, "Albom in the Afternoon," can be heard weekdays,
4-6 p.m., on WJR-AM (760). Guests this week will include Bob Woodward, Lyle
Lovett and Olympians from Atlanta.
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THIS ELECTRONIC VERSION MAY DIFFER SLIGHTLY FROM THE PRINTED ARTICLE.
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<KEYWORDS>
COLUMN
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