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<UID>
9708230137
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<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
970824
</DATE>
<TDATE>
Sunday, August 24, 1997
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
com
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<PAGE>
1E
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<ILLUSTRATION>

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<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1997, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
AN OLD SONG BRINGS BACK MEMORIES OF FIRST LOVE
</HEADLINE>
<SUBHEAD>

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I'm going to sing a song now and I'm not going to say the name, I'm just going
to sing it. And if it doesn't mean anything then you might not get the rest of
this column. At least I've given you fair warning. Here it is:
  
I don't wanna say good-bye

for the summer
  
but darling, I promise you this
  
I'll send you all my love,
  
every day in a let-ter
  
sealed with a kiss.
  
Those of you who are thinking, uh-oh, he's lost his mind, he's singing into
his columns now, well, come back next week and we'll make more sense. But
those of you who read those lyrics and hear the soft, plaintive voice of Bryan
Hyland and are transported back to a warm night at summer camp when you kissed
your first girlfriend or boyfriend good-bye, well, I'm talking to you.
  
I'm talking about music that we slow-danced to, music that we kissed to, music
that we -- kids, cover your eyes -- "made out" to. I don't mean sex. No, no.
That came much later, and carried many more complications.
  
I'm talking about the awkward kisses and gropes of our teenage years. There
was almost always music playing, I recall. I think it relaxed us. Or gave us
an excuse to tap our feet while we worked up our courage. These are songs that
come across the oldies station now and instantly warm us, even on our coldest,
most grown-up days.
  
No music can ever match these songs. They are magical. Remember that movie,
"Witness," when Harrison Ford is hiding among the Amish people, and he's in a
barn with Kelly McGillis when "What A Wonderful World" by Sam Cooke comes over
the transistor radio and he can't help it, he starts dancing with her, right
there in the barn. And people are trying to kill him! And he still has to
dance!
  
That's what I'm talking about.
  

  
It's a matter of age
  
"Sealed With A Kiss," the song above, is a classic of this genre. So, too, is
"So Far Away" by Carole King. And "Just My Imagination" by the Temptations.
  
Each day through my window
  
I watch as she passes by
  
I say to myself, you're such a lucky guy
  
Of course, it all depends on how old you are. Many readers have told me that
"Chances Are" by Johnny Mathis was the soundtrack to their first romantic
tussle. Or "In The Still Of The Night" by the Five Satins. Or "Smoke Gets In
Your Eyes" by the Platters.
  
These would be people who found first loves in the 1950s. Those who found it
in the '70s might get goose bumps at "Bridge Over Troubled Waters" by Simon
and Garfunkel, or Chicago's "Color My World" (a very big prom song).
  
Those even younger might tingle at "The Closer I Get to You" by Roberta Flack
and Donny Hathaway, or "Babe" by Styx, both big songs in the late '70s, or
"Saving All My Love For You" by Whitney Houston in the mid-'80s.
  
Any one of these can transport you back to a front porch, a camp fire, a
school dance, or the backseat of a Chevy.
  
Which brings me to an anecdote.
  

  
The lyrics don't matter
  
Last week, I got to meet Philip Bailey, the high-voiced lead singer from
Earth, Wind and Fire. I asked him about a song that was a definite "make-out"
favorite in the '70s, a song called "Reasons." I asked him, teasingly, whether
he knew how many couples got together to that song.
  
He laughed and said, "What's funny is, if you listen to the words, that song
is the last thing you'd want to hear when you're in a romantic mood. It
basically says the love affair is a lie."
  
And when I re-examined the words, I realized he was right:
  
In the morning when I rise,
  
no longer feeling hypnotized
  
I find my reasons had no rhyme
  
And you know what? It didn't make one bit of difference.
  
It's the music, and it's the moment. Which is why I can still hear "Leaving On
A Jet Plane" by Peter, Paul and Mary, and go hurtling back to Camp Arthur in
the Pennsylvania Poconos, where the boys' camp was across the river from the
girls' camp, and that last night we all got together and air was warm and
filled with the smell of pine trees, and the campfire crackled into
marshmallows on sticks, and I combed my hair and wore my best checkered shirt
and she wore a pink cotton dress and we danced and sneaked kisses and promised
we'd write ...
  
And I'd never taken a jet in my life.
  
Doesn't matter. When I hear those songs, no matter what important adult task
I'm doing, I stop. And part of me wants to go back.
  
To be honest, part of me always does.
  


Mitch Albom will sign copies of his new book, "Tuesdays With Morrie," Tuesday,
7-8 p.m. at Barnes & Noble, Grosse Pointe; Thursday, 12:45-1:45 p.m., B.
Dalton, Tel-Twelve Mall, Southfield; Friday, 7-8 p.m., Media Play, Mt.
Clemens; and Saturday, 11 a.m-noon, Webster's Bookstore, Okemos.
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THIS ELECTRONIC VERSION MAY DIFFER SLIGHTLY FROM THE PRINTED ARTICLE.
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COLUMN
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