<?xml version="1.0" encoding="ISO-8859-1"?>
<BODY.CONTENT>
<UID>
9501280602
</UID>
<PUBLICATION>
DETROIT FREE PRESS
</PUBLICATION>
<DATE>
950910
</DATE>
<TDATE>
Sunday, September 10, 1995
</TDATE>
<EDITION>
METRO FINAL
</EDITION>
<SECTION>
COM
</SECTION>
<PAGE>
1K
</PAGE>
<ILLUSTRATION>

</ILLUSTRATION>
<CAPTION>

</CAPTION>
<BYLINE>
MITCH ALBOM
</BYLINE>
<AFFILIATION>

</AFFILIATION>
<MEMO>

</MEMO>
<COPYRIGHT>
Copyright (c) 1995, Detroit Free Press
</COPYRIGHT>
<HEADLINE>
BIT PART ISN'T BAD AT ROCK CEREMONIES
</HEADLINE>
<SUBHEAD>

</SUBHEAD>
<CORRECTION>

</CORRECTION>
<BODY>
OK, I know, I'm a week late on this Rock and Roll Hall of Fame thing, but I
have a good excuse: I was playing in the concert.

  No, not that concert. Not the six-hour, Saturday night blowout, which  was
broadcast around the world and featured rockers from all eras paired together,
no matter how unusual ("AND NOW, METALLICA AND THE COWSILLS!").

  I was not in that concert -- although I wish I had  been, because then I
could have asked the question most American viewers were asking, namely:
"Johnny Cash, I thought you were dead."
  By the way, I think the concert missed a great pairing, two of  the world's
most incomprehensible rock legends, Bob Dylan and James Brown, neither of whom
has said a word anyone understands in 20 years. Dylan now sounds as if he's
singing through a helium tank. And  Brown sounds as if his pants are on fire.
  Can you imagine them together on "Blowing in the Wind"?
 
DYLAN: How maneee time mubha wubba d--
BROWN: Hit me!
DYLAN: beforrr ooh cynn keh dibbe
BROWN:  HE-AAAY! KISS MAHSELF!
DYLAN: dubah himmmeh . . .
BROWN: YAMAYIMME!
DYLAN:  . . . wind.
 
  I did not get Bob and James together. Nor did I get to twang guitars with
Chuck Berry, Little Richard,  Bruce Springsteen or any other masters of rock.
  I did, however, get to play piano alongside horror champ Stephen King, who
writes brilliant books and knows at least three chords.
  And I did get  to jam with humorist Dave Barry, who can play any song in
the key of E, provided it was written in March or April of 1963.
  I am talking about the world's most infamous band, the Rock Bottom
Remainders,  which -- regular readers might recall -- is a roving tribe of
writers with the musical talent of electricians, that gets to play in some
pretty amazing places because, basically, everyone needs a laugh  now and
then.
  Hit me!
Mistake on the lake  Now, how we came to play at the Rock and Roll Hall of
Fame -- and when I say we, I mean the whole band, including novelist Amy Tan,
thriller writer Ridley  Pearson, humorist Roy Blount Jr., "Simpsons" creator
Matt Groening and other tone-deaf literary giants -- is simple: Someone asked.
We don't know who. We don't care who. We don't even know what medication  he
was on. 
  All we know is that someone asked us to play, and met our usual high asking
price -- hotel rooms with running water -- and we said, and I'm quoting James
Brown here: HEEE-AYY!
  What  we didn't know, because we never ask, is who we would be playing for.
So it wasn't until a few minutes before concert time Friday night, in a huge
white tent on the shore of Lake Erie, just behind the  Hall of Fame, that we
peeked from backstage and gasped. Elton John was in the crowd. And John
Fogerty. And 3,500 other record biz types, including, you know, real
musicians!
  This is bad for the Rock  Bottom Remainders, who count on several things
from their audiences: 1) An open bar. 2) Pity.
  Also, we like a tone-deaf crowd. We figure this is given, or else why hire
a band whose most impressive  solo is when the amps feed back?
  "Oh, God," Stephen King said.
  "What?" we asked.
  "Ben E. King is at the second table."
  I think I actually saw Stephen shake, which is kind of like seeing  Dracula
biting his nails. Not that he wasn't justified. Ben E. King is the guy who
sang the classic "Stand by Me," which the Rock Bottom Remainders also attempt
to do. Stephen sings lead. I don't think  I am hurting his feelings to say
that the only similarity between Stephen's version and Ben E.'s version is
their last name.
  Or, as Stephen put it: "I'm dead."
Who's the Boss?  As it turned out,  we weren't dead, just a little
embarrassed. But the crowd actually liked us, and even danced and applauded,
which only proves what I've always said about the great old rock 'n' rollers:
They're deaf.
  The best moment was when Bruce Springsteen's star guitar player, Nils
Lofgren, came to our dressing room before the show and asked to play with us.
I don't know why. I can only assume he got stuck  at a really bad table.
  "I just wanna gig with you cats," he said, or something hip like that. Then
he said, "Please?"
  Please? This is one of the great guitar players in pop rock, begging to
play  with a band that thinks "Louie Louie" is an instrumental challenge.
  "Well, Nils," Dave Barry said, "You're a little too good for us . . ."
  "Pleeeeeeease?"
  In the end, we let Nils play, which  was kind of neat, because it meant one
band member was actually in key. Of course, we do seem to be moving down The
Boss ladder. Last year, we played in LA, and Springsteen himself got on stage
with  us. This year, we get his guitar player, Nils. Next year, I suppose,
we're jamming with Bruce's hairdresser.
  So be it. We had a great time. And, as far as I know, Ben E. King did not
walk out during  our version of his song, although he was seen holding his
ears and shaking his head. Then again, maybe he was anticipating Bob Dylan.
</BODY>
<DISCLAIMER>

</DISCLAIMER>
<KEYWORDS>
COLUMN
</KEYWORDS>
</BODY.CONTENT>
